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Calendar of Events
Christmas in the Garden + Tree Lighting
Gardening Programs for Kids
Arbor Fest
Rose Gala
Art in the Garden
The Structure of Nature
East of East River
Portraits of Tall Friends
A Score in Graphite and Blue / To Walk a Minute More
Landscape & Flower Paintings
Nature and Science in Dialogue
Botanical Therapeutic Art
Evolution of An Artist
Harvesting Our History: The Story of Queens Botanical Garden
Get the Picture?
Deconstructed Flowers
Invasive Pigments
Fish & Crushed Can Story - Mixed Media
Repetition in Design
Fragile Beauty: Jamaica Bay Landscapes
The Artist Within: The Urge to Create
Vignettes from The Queens Project
Enchanted Earth 2.0
Hearts and Hands of the Garden: The Arts of the QBG Craft Group
Birds, Bugs, and Blooms of Queens Botanical Garden
Susan Springer Anderson
Seeing the World - Handmade Paper Artwork
Infinite India: An Excess of Reality
Music in the Garden
Craft Group
Members Picnic
Forest Explorers
Winter Family Programs
Storytime & Craft
Tulip Time
Field Day

Vignettes from The Queens Project

(PLEASE NOTE: The Visitor & Administration Building is closed on Sundays until March 31, 2012)

Beginning February 7 and running through May 19, photographs by Audrey Gottlieb will be on exhibit in the Visitor & Administration Building Gallery.  Ms. Gottlieb is a documentary photographer and educator.  She studied at the School of Visual Arts and ICP in New York City and currently teaches and lectures on a freelance basis.  Her best-known images show multicultural America today and have been exhibited at the Smithsonian, the Jewish Museum and Ellis island Immigration Museum.

"I have always been captivated by light, shadow, color and gesture. I have a natural curiosity about the world, which I am compelled to explore with my camera and notebook. As an observer of society and nature, I hope my photographs reveal the intensity of the experience that I felt when making the picture.

"The world is awash in images, and making choices is frequently difficult. The wealth of material available to the artist often boggles the mind.

"I am drawn to an endless variety of PEOPLE, faces full of expression, happy, unhappy, engaged, at play, at work, at war.

"PLACES maintain their exquisite silence in nature, or the edgy sadness of war-ravaged countries, tracing the lines of ancient civilizations, jarring in their modernity, the contrasts of centuries of human existence.

"I must document ACTIVITIES and EVENTS that depict celebration, that abound in tradition and ritual, transformation, old into new, weaving the warp and weft of stories of everyday life onto the global loom. This gives me a great deal of pleasure."


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