Arboretums and Botanical centres are now targeting homeownersThe
Arnold Arboretum, one of Frederick Law Olmsted’s better preserved
landscapes, could easily be described as a 265-acre research facility.
Run jointly by Harvard University and the city of Boston, the landmark
is where specialists can find detailed taxonomic organisation and
labelling, a herbarium and archives stretching back well into the
1800s. Scientists use it to conduct important studies...and to observe
pathogens and insects, including the wooly adeligid, which has
destroyed much of the local hemlock collection.
But
the arboretum also attracts average visitors. In winter, snow
highlights the carefully orchestrated naturalism and draws a steady
stream of urban skiiers and sledders. And then there is the Leventritt
Garden, a recent addition set on a 4-acre parcel adjacent to Olmstead’s
landscape . With linear gravel paths, stone walls and New England
vernacular-modernist pavilion, this new space showcases shrubs and
vines suitable for residential landscaping and it won the American
Society of Landscape Architects 2007 General Design Award of
Excellence,
“The garden has an
educational component that’s just not possible in the rest of the
arboretum,” says Peter Del Tredici, a senior research scientist and
lecturer in the landscape programme at the Harvard Graduate School of
Design, who worked on the climate change study. “It’s more accessible
to the general public.”
In
contrast with the main arboretum’s minimal signage, the terraced garden
is dotted with placards describing the collection and plant
maintenance. It also highlights species hardy enough to survive the
increasingly erratic weather. This represents a significant broadening
of the facility’s scientific and horticultural mission, a trend that
can be seen in arboretums and botanical gardens throughout the the US.
“In the 19th century arboretums were typically associated with
universities. They did research and brought in exotics and adapted them
to a given climate,” explains Steven Foster, a landscape architect in
Brookline, Massachusetts, who teaches in the Arnold Arboretum’s
Landscape Institute for professional designers. “Before middle-class,
post-second-world-war subdivisions, there wasn’t a need for the average
homeowner to learn about plants and landscape design.”
But
today’s environment is quite different and arboretums and botanical
gardens are responding, seeking wider audiences and acknowledging the
eco-friendly movement by preaching sustainability, extolling the use of
native and low-maintenance plants, teaching the fine points of
composting and fostering urban gardens. They increasingly function as
resources not just for scientists but also for professional designers,
homeowners and community gardeners.
The
Leventritt Garden was, for example, designed for minimal environmental
impact and low maintenance, according to Douglas Reed, a principal with
Reed Hilderbrand Associates, the Watertown, Massachusetts, landscape
architecture firm that handled the project. “The primary purpose is for
the curators to experiment with new introductions, compare new plants
with other formerly developed species and have a way of bringing them
to the public’s awareness,” he says.
Some
institutions are investing in green buildings too. The Queens Botanical
Garden in New York City last year opened a visitor centre,
administrative building and maintenance facility boasting a green roof
and water saving features. The new buildings add a deeper shade of
green to the botanical garden’s community, college and professional
development programmes, which include classes on composting and
sustainable gardening, a seniors’ garden, a children’s programme and a
farmers market, according to director of capital projects Jennifer Ward
Souder. “Professionals come to get ideas and people inquire about
native and drought tolerant plants,” she says.
The
garden also banks native seeds and works on soil conservation and its
demonstration plots include alternatives to conventional,
chemical-intensive grasses and ornamental plantings. One goal is to
help visitors choose the appropriate combinations. “They’re not always
aligned – planting native species, using less water and designing
sustainable gardens,” she says. “You don’t want to have people put
stuff in the wrong place and wind up needing fertilisers or chemicals.”
In San Francisco, the
California Horticultural Society maintains the San Francisco Botanical
Garden at Strybing Arboretum, which caters to a varied constituency,
including landscape designers and their clients, community gardeners
and city dwellers with little or no arable land (with classes on
container gardening), according to executive director Michael
McKechnie. It is also adding a centre for sustainable gardening and
expanding its curriculum, which currently includes classes in garden
design appropriate to local and regional climates and a certificate
programme in permaculture, using and copying natural systems. “I have
seen a great demand, almost a mandate, about environmental gardening,”
says associate director of adult education Fred Bové as well as an
interest in understanding and adapting to climate change. “The idea has
come to the fore,” he says. “You can’t garden and not notice it.”
As
institutions, arboretums and botanical gardens have to adapt to
survive. “They are in the midst of searching to re-establish influence,
an effort to create relevance,” says Ann Kearsley, principal of Ann
Kearsley Design, a landscape architecture and urban design firm in
Portland, Maine.
The design
process behind Olmsted’s archetypal landscapes, for example, can be
difficult for non-specialists to discern. “They look like they’ve been
there for ever. His reinterpretation of 18th-century English gardens
have morphed into spaces that are now so stately and gorgeous,” she
says. “It can be difficult teasing out that they are completely
constructed.”
Although landscaping
clients have fairly conservative taste, designers can introduce them to
progressive environmental and aesthetic ideas through the arboretums
and botanical gardens that have added contemporary designs,
demonstration plots and classes.
Kearsley
praises these institutions for leading by example. “I come from a long
line of gardeners and there’s a strong sense that you’re passing plants
to the next generation,” she says. “Few residential projects are
expected to last as long as 25 years. If you can afford to have a 40ft
tree brought in, you don’t have to have this kind of respect for time.
And people don’t stay in their houses that long. There’s not the same
sense of stewardship.”
in Financial Times, 29 de Novembro de 2008, por Ted Smalley Bowen
FOTO: Arboreto do Jardim Botânico continua em grande parte adormecido para o papel que pode desempenhar na sociedade portuguesa.
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